From the Blog

Daniel Buren takes over the rooftop of Le Corbusier’s Cité Radieuse with ‘Défini, fini, infini’

by JONATHAN BELL, Wallpaper*, July 8, 2014

Buren has toyed with Corbusier's composition, creating seven vast but integrated artworks to further the viewer's experience of this liminal space, a platform to look down upon Marseille Photo: Sébastien Véronèse Source: www.mamo.fr

Buren has toyed with Corbusier’s composition, creating seven vast but integrated artworks to further the viewer’s experience of this liminal space, a platform to look down upon Marseille
Photo: Sébastien Véronèse
Source: www.mamo.fr

Ora-Ïto’s gallery atop the Cité Radieuse in Marseille was a transformative intervention when it opened last year. We spoke to the French designer, curator and all-round motivator about the MAMO in early 2013 (W*169), and got the low-down on the lengthy process of turning this iconic slice of Le Corbusier into a must-visit urban gallery. Working alongside the Audi Talents Award, MAMO is both gallery and springboard, as well as a stunning restoration of the building’s original gymnasium. And now it is playing host to the work of French sculptor Daniel Buren.

For Défini, fini, infini, Buren has toyed with Corbusier’s composition, creating seven vast but integrated artworks to further the viewer’s experience of this liminal space, a platform to look down upon Marseille (the joint-winner of our 2014 Best City award).

Buren’s response has been to intersperse this rooftop landscape with his own aesthetic interventions, a series of long sculptural elements that respond directly to the raw concrete, bold flowing forms and the distant mountain ranges that fringe the city. The two dominant elements include the vast 400 sq m mirror designed to reflect the poured concrete perfection of Le Corbusier’s façade and the grid of Buren’s signature striped columns, this time set up as square protrusions that evoke the concrete frame of the building below.

Colour also plays an important role. As Ora-Ïto says, ‘Le Corbusier was very inspired by Mondrian,’ and Buren has deployed pure blocks of colour to contrast with the blue Mediterranean skies and grey walls. We spoke to the artist and designer about the project.

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Bepos: quand les bâtiments positivent!

par  STEFAN LOUILLAT, Le Monde.fr, 5 juin 2014

Les Bepos kesako ? Cet acronyme désigne les bâtiments à énergie positive. Seuls 30 Bepos sont construits chaque année en France. Quels avantages présentent ces bâtiments? À quels critères doivent-ils répondre ? Comment peuvent-ils se généraliser ? Quelles sont leurs limites? Éléments de réponse avec Stéfan Louillat de l’Ademe (Agence de l’environnement et de la maîtrise de l’énergie).

Des bâtiments qui produisent plus d’énergie qu’ils n’en consomment. Voilà le challenge que devra relever tous les bâtiments construits après 2020. Selon la règlementation européenne, les bâtiments à Energie Positive (les Bepos) devront donc afficher une “énergie nette presque nulle”. Si les détails de ce bilan positif sont encore à définir, les grands principes sont, eux, connus. Le bilan s’entend en moyennes annuelles et la production doit être supérieure aux consommations dues au chauffage, à la climatisation, à la production d’eau chaude sanitaire et à l’éclairage.

Plusieurs dizaines de réalisations ont été accompagnées en Ile-de-France par l’Ademe depuis cinq ans notamment par l’intermédiaire d’appels à projets pour des bâtiments démonstrateurs. Parmi eux, l’école de Saint Exupéry à Pantin. Composée de trois volumes compacts, l’école est dotée de plus de 1000 m2 de capteurs photovoltaïques. Cet équipement, couplé à des matériaux bien précis, lui permet de produire plus d’électricité qu’elle n’en consomme en chauffage, éclairage et ventilation. Les salles de classe, bureaux et espaces de loisirs sont également équipés de sondes photoélectriques afin d’optimiser la gestion de l’éclairage.

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Rooftop play area proposed for Primary school

by JOHN-PAUL HOLDEN, Edinburgh Evening News, May 15, 2014

Plans for the garden space Image: comp Source: www.edinburghnews.scotsman.com

Plans for the garden space Image: comp
Source: www.edinburghnews.scotsman.com

PUPILS are to go “up on the roof” in a bid to ease the Capital’s schools crush.

Education chiefs have proposed building a rooftop playground at Flora Stevenson Primary, which has been lined up for emergency expansion work amid soaring demand for spots in overcrowded classrooms.

The unique “rooftop garden” would be situated on top of a new teaching block set to be erected to reduce acute accommodation pressure caused by rising rolls.

City bosses hope the development will allow new classrooms to be provided while averting a reduction in overall playground space.

Parents at the Victorian-era school have welcomed the plans, which draw inspiration from similar projects in Japan, Germany, Scandinavia and England.

Lindsay Law, who has children in P3 and P5 at Flora Stevenson, and is parent representative on the city’s education committee, said: “I think we’re all excited that the council are looking at other possibilities to make up for the loss of playground space when the new classrooms are built.

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Terrace for sale, includes condo

by JULIE SATOW, The New York Times, March 20, 2014

The developers of 215 Sullivan Street in the Village promote its “lushly landscaped backyard”. Photo: Watson & Company Source: www.nytimes.com

The developers of 215 Sullivan Street in the Village promote its “lushly landscaped backyard”.
Photo: Watson & Company
Source: www.nytimes.com

After a seemingly endless winter, the first hints of spring have teased us with a day or two of temperatures over 60 degrees. That fleeting glimpse of warmth sent many New Yorkers flying out of doors to enjoy the sunshine. For my part, I sipped my morning coffee at home last week and stared wistfully out the window at a neighbor’s balcony.

In our concrete jungle, there is a hefty dollar value attached to having your own garden oasis — even the smallest of shrubberies carries a price tag. And with so many residents suffering from a vitamin D deficiency these days, brokers are promoting listings that can claim specks of green, even if they’re barely large enough to hold a bonsai.

Yet there are some listings for which the warmer weather was made.

Downtown, the average price of a luxury condominium with a terrace is $8.3 million; that compares with just $6 million for those without terraces, according to Vanderbilt Appraisal. And developers are doing whatever they can to take advantage of that pricing edge.

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Tales from the field: Up on the roof

by SCOTT SPECTOR, The New York Observer, February 10, 2014

Over the last few weeks, I’ve shared different “Tales from the Field,” each of which included a lesson I’ve learned while on the job. This week, in the fourth installment of this five-part series, I’m going to use an increasingly popular trend to illustrate a very valuable point: if you’re going to do something, do it right.

Lately more and more companies – from boutique firms to multinational corporations – are embracing rooftop terraces. However, utilizing your roof space is hardly a new trend. In fact, roof terraces began coming into favor four to five years ago, starting mainly with major, iconic buildings such as the Empire State Building and Rockefeller Center. Fast forward to 2014 and things have changed. Roof terraces are now being frequently incorporated as a design “must” by tenants of all sizes, as well as landlords who are using them as a feature to attract tenants.

Their popularity is undeniable; I am asked about roof terraces on a nearly daily basis. A couple of weeks ago, I had a walk-through with a landlord client in Long Island City and we discussed taking advantage of his building’s 360-degree views of Manhattan and Long Island by creating an enormous rooftop terrace. I also recently worked with an established hedge fund client who enthusiastically collaborated with us to create a green lounge to enhance the work environment and build some stress relief in for his employees.

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Life on the edge

by LOUISE GOLDSBURY, Brisbane Times, January 12, 2014

Rooftop tour in Stockholm Photo: Louise Goldsbury Source: www.brisbanetimes.com.au

Rooftop tour in Stockholm
Photo: Louise Goldsbury
Source: www.brisbanetimes.com.au

Nobody else seems to have noticed the surprising lack of handrails seven storeys from the ground.

On the roof of a courthouse, this tour seems soft on laws of safety, as well as gravity. Although we are hard-hatted, harnessed and attached by a cable, it still feels precarious at times. Our guide, Lotta, assures us there is only one section where we could actually fall and “dangle over the edge”.

Fortunately, she mentions this after we have made it. “When I trained for this job, the first time I did that part, I cried,” she says. “I thought, what have I done?”

The rest of the track, atop Stockholm’s former Parliament House, is better protected, but includes stairs and ladders, which we almost crawl up. Similar to the Sydney Harbour BridgeClimb, participants must kick along the gadget connecting their cable to the rail, while holding the other end, so taking photos is a one-handed, one-footed balancing act.

Every few metres, we stop to absorb spellbinding views of harbourside Stockholm. A flawless blue sky pierced by mediaeval towers frames a waterfront of multi-coloured houses. Meanwhile, our cheerier guide, Gabriela, tells stories of sex, religion and politics, which may not be dinner-party appropriate, but distract and educate the small group.

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